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Tags: animal(s), beards, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, Florence, Florentine artist, Florentine installation/viewing context, Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, musical instrument(s), subject location(s) outside Italy
Tags: animal(s), beards, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, Ferrara, Ferrarese artist, figure(s) seen from behind, Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, jewelry, putti, subject location(s) outside Italy
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Tags: beards, BIPOC, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, intersectionality, men of color, nudes, nudes—female, Ottoman Turk(s), Race, servant(s) or slave(s), women and gender minorities
Tags: cisgender female central figure(s), Gender, jewelry, portrait(s), portrait(s)—female, winged figure(s), women and gender minorities
Tags: Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), men of color, Ottoman Turk(s), Race
Tags: cisgender female central figure(s), costume or fashion as a marker of racial or ethnic identity, Gender, intersectionality, jewelry, Ottoman Turk(s), portrait(s), portrait(s)—female, Venice, women and gender minorities
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