Amor Vincit Omnia

allegorical personification(s), bisexual, book(s), cisgender male central figure(s), figure(s) looking directly at the viewer, gay, Genoa, history—allegory, LGBTQ+ artist, LGBTQ+ central figure(s), Milan, musical instrument(s), nudes, nudes—male, personification(s), portrait(s), Rome, sexual orientation minorities, Sexuality, still life, winged figure(s)

Michelangelo Merisi, called Caravaggio, “Amor Vincit Omnia,” Race, Sexuality, and Gender in Early Modern Italian Art, accessed February 22, 2025, http://othersinearlymodernitaly.artinterp.org/omeka/items/show/40.

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