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Tags: cisgender male central figure(s), Florence, Florentine installation/viewing context, Gender, portrait(s), portrait(s)—male, weapon(s)
Tags: cisgender male central figure(s), Florence, Florentine installation/viewing context, Gender, portrait(s), portrait(s)—male
Tags: book(s), cisgender male central figure(s), Florence, Florentine installation/viewing context, Gender, portrait(s), portrait(s)—male
Tags: beards, cisgender male central figure(s), Florence, Florentine installation/viewing context, Gender, portrait(s), portrait(s)—male, weapon(s)
Tags: cisgender female central figure(s), Florence, Florentine installation/viewing context, Gender, history—ancient secular subject, jewelry, women and gender minorities
Tags: African(s), BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, men of color, non-Italian artist working in Italy, nudes, nudes—male, Race, Sub-Saharan African(s), Venetian artist, Venice, weapon(s)
Tags: African(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, men of color, non-Italian artist working in Italy, nudes, nudes—male, Race, Venetian artist, Venice, weapon(s)
Tags: BIPOC, breasts, central person(s) of color, cisgender female central figure(s), costume or fashion as a marker of racial or ethnic identity, indigenous American(s), intersectionality, jewelry, non-Italian artist working in Italy, North American(s), nudes, Race, Venetian artist, Venice, women and gender minorities, women of color
Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, Japanese, men of color, onlooker(s) or peripheral person(s) of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice
Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, history—Early Modern secular subject, men of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice
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