Browse Items (375 total)

Tags: figure(s) seen from behind, Florence, gay, history—Early Modern secular subject, LGBTQ+ artist, sexual orientation minorities, Sexuality, Venetian artist, Venice, weapon(s)

Tags: allegorical personification(s), bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), female patronage, Ferrara, fruit, Gender, history—allegory, intersex, jewelry, landscape, Mantua, Mantuan installation/viewing context, nudes, nudes—female, nudes—male, Padua, Paduan artist, personification(s), plant(s), putti, violence, weapon(s), winged figure(s), women and gender minorities

Tags: animal(s), beards, BIPOC, boat(s) or ship(s), bodies of water, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), cityscape, flag(s), Gender, history—literary subject, intersectionality, jewelry, landscape, locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, Siena, Sienese installation/viewing context, Sienese patron, weapon(s), women and gender minorities

Tags: African(s), BIPOC, central person(s) of color, cisgender female central figure(s), flag(s), history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, locations outside Italy, Mantua, Padua, Paduan artist, Race, servant(s) or slave(s), subject location(s) outside Italy, tent(s), weapon(s), women and gender minorities, women of color

Tags: African(s), BIPOC, central person(s) of color, cisgender female central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, jewelry, locations outside Italy, Mantua, Padua, Paduan artist, Race, servant(s) or slave(s), subject location(s) outside Italy, weapon(s), women and gender minorities, women of color

Tags: African(s), animal(s), BIPOC, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, genre subject or scene, landscape, men of color, onlooker(s) or peripheral person(s) of color, plant(s), Race, servant(s) or slave(s), Venice, weapon(s)

Tags: beards, BIPOC, book(s), cisgender female central figure(s), cisgender male onlooker or peripheral figure(s), coat(s) of arms, column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, Ottoman Turk(s), portrait(s), portrait(s)—male, putti, Race, Venetian installation/viewing context, Venice, winged figure(s), women and gender minorities

Tags: African(s), BIPOC, cisgender female central figure(s), history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, jewelry, locations outside Italy, onlooker(s) or peripheral person(s) of color, Race, servant(s) or slave(s), subject location(s) outside Italy, Venice, weapon(s), women and gender minorities, women of color

Tags: African(s), BIPOC, bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, history—ancient mythological subject, history—literary subject, jewelry, landscape, locations outside Italy, non-Italian installation/viewing context, non-Italian patronage, nudes, nudes—female, onlooker(s) or peripheral person(s) of color, plant(s), Race, servant(s) or slave(s), striped fabric, Venetian artist, Venice, weapon(s), women and gender minorities, women of color

Tags: African(s), beards, BIPOC, book(s), central person(s) of color, figure(s) looking directly at the viewer, men of color, Moor(s), patron of color, portrait(s), portrait(s)—male, Race, Rome, Venetian artist, Venice