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Tags: cisgender female central figure(s), cisgender male central figure(s), Florence, gay, LGBTQ+ artist, Milan, nudes, sexual orientation minorities, Sexuality, women and gender minorities
Tags: animal(s), bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), Gender, history—literary subject, landscape, locations outside Italy, non-Italian installation/viewing context, non-Italian patronage, nudes, nudes—male, putti, Venice, violence, weapon(s), winged figure(s), women and gender minorities
Tags: beards, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, Gender, history—literary subject, landscape, servant(s) or slave(s), weapon(s), women and gender minorities
Tags: animal(s), beards, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, Ferrara, Ferrarese artist, figure(s) seen from behind, Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, jewelry, putti, subject location(s) outside Italy
Tags: African(s), beards, BIPOC, central person(s) of color, cisgender female central figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, history—Early Christian religious subject, intersectionality, jewelry, landscape, men of color, plant(s), Race, Verona, Veronese artist, violence, weapon(s), women and gender minorities
Tags: African(s), beards, BIPOC, boat(s) or ship(s), bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, Florence, gay, history—Biblical subject, history—Biblical subject—New Testament, intersectionality, LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, men of color, musical instrument(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, self-portraiture, sexual orientation minorities, subject location(s) outside Italy, violence, violence—torture, weapon(s), women and gender minorities
Tags: animal(s), beards, Bologna, Bolognese artist, Bolognese installation/viewing context, Bolognese patron, cisgender female central figure(s), cisgender male central figure(s), female patronage, figure(s) looking directly at the viewer, Gender, jewelry, portrait(s), portrait(s)—female, portrait(s)—male, woman artist, women and gender minorities
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