Browse Items (375 total)

Tags: animal(s), Asian(s), beards, BIPOC, book(s), cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), Florence, Florentine artist, history—Biblical subject, history—Biblical subject—apocryphal, men of color, meta-images, Mongol(s)/Tatar(s), onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, subject location(s) outside Italy, violence, winged figure(s)

Tags: African(s), allegorical personification(s), androgynous onlooker(s) or peripheral figure(s), animal(s), beards, BIPOC, Bologna, cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—Early Modern secular subject, jewelry, men of color, mixed ancestry, musical instrument(s), non-Italian artist working in Italy, onlooker(s) or peripheral person(s) of color, personification(s), portrait(s), portrait(s)—male, Race, weapon(s)

Tags: allegorical personification(s), animal(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, Florence, Florence in art, Florentine installation/viewing context, Florentine patron, fruit, history—Early Modern secular subject, musical instrument(s), Ottoman Turk(s), personification(s), plant(s), Race, violence, weapon(s), winged figure(s)

Tags: allegorical personification(s), animal(s), boat(s) or ship(s), bodies of water, book(s), cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)

Tags: beards, boat(s) or ship(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—Early Modern secular subject, Ottoman Turk(s), Race, striped fabric, violence, violence—battle scene(s), weapon(s)

Tags: allegorical personification(s), beards, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)

Tags: African(s), allegorical personification(s), ambassador(s) or envoy(s), animal(s), beards, BIPOC, cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—allegory, men of color, onlooker(s) or peripheral person(s) of color, personification(s), portrait(s), portrait(s)—male, Race, servant(s) or slave(s), weapon(s), women and gender minorities

Tags: African(s), BIPOC, central person(s) of color, cisgender male central figure(s), figure(s) looking directly at the viewer, Florence, Florentine installation/viewing context, Florentine patron, men of color, mixed ancestry, portrait(s), portrait(s)—male, Race, weapon(s)

Tags: African(s), BIPOC, central person(s) of color, cisgender male central figure(s), cityscape, Florence, Florence in art, Florentine patron, landscape, men of color, mixed ancestry, plant(s), portrait(s), portrait(s)—male, Race, weapon(s)

Tags: breasts, cisgender female central figure(s), Gender, history—literary subject, landscape, nudes, nudes—female, plant(s), Venice, women and gender minorities