Browse Items (375 total)
Benedict Receives Maurus and Placidus
Tags: African(s), animal(s), beards, BIPOC, bisexual, bodies of water, cisgender male onlooker or peripheral figure(s), cityscape, column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, gay, history—medieval religious subject, intersectionality, LGBTQ+ artist, men of color, plant(s), Race, sexual orientation minorities, Siena, striped fabric, weapon(s)
Benedict Foretells the Destruction of Montecassino
Tags: African(s), animal(s), beards, BIPOC, bisexual, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), gay, history—medieval religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, plant(s), Race, sexual orientation minorities, Siena, striped fabric, tent(s), violence, violence—battle scene(s), weapon(s)
Saint Benedict Repairs the Wooden Wheat Winnow and Visitors Marvel at the Miraculously Repaired Object on Display
Tags: animal(s), bisexual, bodies of water, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), column(s), gay, history—medieval religious subject, landscape, LGBTQ+ artist, LGBTQ+ central figure(s), portrait(s), portrait(s)—male, self-portraiture, sexual orientation minorities, Sexuality, Siena, women and gender minorities, women of color
Last Supper
Tags: bisexual, Florence, Florentine installation/viewing context, gay, history—Biblical subject, history—Biblical subject—New Testament, homosocial behavior, LGBTQ+ artist, LGBTQ+ central figure(s), locations outside Italy, portrait(s), portrait(s)—male, self-portraiture, sexual orientation minorities, Sexuality, Siena, subject location(s) outside Italy
Deposition from the Cross
Tags: beards, bisexual, bodies of water, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, gay, history—Biblical subject, history—Biblical subject—New Testament, landscape, LGBTQ+ artist, locations outside Italy, nudes, nudes—male, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, subject location(s) outside Italy, violence, weapon(s), women and gender minorities
Beheading of Niccolò di Tuldo
Tags: animal(s), beards, BIPOC, bisexual, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), fruit, gay, history—Early Modern religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, putti, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, violence, weapon(s), winged figure(s), women and gender minorities
Mocking of Christ
Tags: African(s), beards, BIPOC, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) seen from behind, Florence, Florentine artist, history—Biblical subject, history—Biblical subject—New Testament, locations outside Italy, men of color, Padua, Paduan installation/viewing context, Paduan patron, Race, striped fabric, subject location(s) outside Italy, violence, violence—torture, weapon(s)