Browse Items (375 total)
Don Antonio Manuele de Funta, Ambassador of the King of the Kongo to the Pope
Tags: African(s), allegorical personification(s), ambassador(s) or envoy(s), animal(s), beards, BIPOC, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cityscape, history—Early Modern secular subject, men of color, portrait(s), portrait(s)—male, Race, Rome, Rome in art, Sub-Saharan African(s), weapon(s), women and gender minorities
Wedding Feast of Cupid and Psyche
Tags: African(s), animal(s), beards, BIPOC, bisexual, bodies of water, book(s), breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, history—literary subject, intersectionality, jewelry, landscape, LGBTQ+ central figure(s), locations outside Italy, Mantua, Mantuan installation/viewing context, Mantuan patron, men of color, musical instrument(s), mythological creature(s), nudes, nudes—female, nudes—male, onlooker(s) or peripheral person(s) of color, plant(s), putti, Race, Roman artist, Rome, sexual orientation minorities, winged figure(s), women and gender minorities
Artemis of Ephesus
Tags: African(s), animal(s), BIPOC, breasts, central person(s) of color, cisgender female central figure(s), cisgender male onlooker or peripheral figure(s), genre subject or scene, history—allegory, intersectionality, landscape, Mantua, Mantuan installation/viewing context, Mantuan patron, musical instrument(s), nudes, nudes—male, plant(s), putti, Race, Rome, women and gender minorities, women of color
Wedding of Alexander and Roxanna
Tags: African(s), animal(s), BIPOC, bisexual, bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) seen from behind, gay, history—ancient secular subject, history—literary subject, intersectionality, landscape, LGBTQ+ artist, LGBTQ+ central figure(s), LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, nudes, nudes—female, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), putti, Roman installation/viewing context, Rome, servant(s) or slave(s), sexual orientation minorities, Sexuality, Siena, Sienese patron, Sub-Saharan African(s), winged figure(s), women and gender minorities, women of color
Road to Calvary
Tags: African(s), beards, BIPOC, bisexual, cisgender male onlooker or peripheral figure(s), gay, history—Biblical subject, history—Biblical subject—New Testament, intersectionality, LGBTQ+ artist, locations outside Italy, men of color, onlooker(s) or peripheral person(s) of color, plant(s), Race, sexual orientation minorities, Siena, subject location(s) outside Italy, violence, weapon(s)
Benedict Receives Maurus and Placidus
Tags: African(s), animal(s), beards, BIPOC, bisexual, bodies of water, cisgender male onlooker or peripheral figure(s), cityscape, column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, gay, history—medieval religious subject, intersectionality, LGBTQ+ artist, men of color, plant(s), Race, sexual orientation minorities, Siena, striped fabric, weapon(s)
Benedict Foretells the Destruction of Montecassino
Tags: African(s), animal(s), beards, BIPOC, bisexual, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), gay, history—medieval religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, plant(s), Race, sexual orientation minorities, Siena, striped fabric, tent(s), violence, violence—battle scene(s), weapon(s)