Browse Items (375 total)
Allegory of Virtues
Tags: African(s), allegorical personification(s), BIPOC, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), female patronage, Ferrara, Gender, history—allegory, intersectionality, landscape, Mantua, Mantuan installation/viewing context, mixed ancestry, musical instrument(s), nudes, onlooker(s) or peripheral person(s) of color, personification(s), plant(s), putti, winged figure(s), women and gender minorities, women of color
Cuttings from a Latin prose treatise on the Seven Vices (Tractatus de septem vitiis)
Tags: African(s), animal(s), Asian(s), BIPOC, boat(s) or ship(s), bodies of water, carpets, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), flag(s), Genoa, Genoese installation/viewing context, genre subject or scene, history—allegory, history—Early Modern secular subject, jewelry, landscape, locations outside Italy, men of color, Mongol(s)/Tatar(s), musical instrument(s), onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, servant(s) or slave(s), still life, violence, violence—battle scene(s)
illusionistic vault oculus
Tags: African(s), animal(s), BIPOC, cisgender female onlooker(s) or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, figure(s) seen from behind, Mantua, Mantuan installation/viewing context, Mantuan patron, onlooker(s) or peripheral person(s) of color, Padua, Paduan artist, person of color—indeterminate gender, plant(s), putti, Race, servant(s) or slave(s), striped fabric, winged figure(s), women and gender minorities, women of color
Pope Clement VII crowns Charles V Holy Roman Emperor in San Petronio in Bologna
Tags: African(s), allegorical personification(s), androgynous onlooker(s) or peripheral figure(s), animal(s), beards, BIPOC, Bologna, cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—Early Modern secular subject, jewelry, men of color, mixed ancestry, musical instrument(s), non-Italian artist working in Italy, onlooker(s) or peripheral person(s) of color, personification(s), portrait(s), portrait(s)—male, Race, weapon(s)
The Battle of the Horatii and Curiatii
Tags: African(s), animal(s), Asian(s), BIPOC, cisgender female onlooker(s) or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, fruit, history—ancient secular subject, intersectionality, landscape, men of color, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), Race, Roman installation/viewing context, Rome, servant(s) or slave(s), violence, violence—battle scene(s), weapon(s), women and gender minorities, women of color
Lorenzo the Magnificent receives ambassadors of the major world powers
Tags: African(s), allegorical personification(s), ambassador(s) or envoy(s), animal(s), beards, BIPOC, cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—allegory, men of color, onlooker(s) or peripheral person(s) of color, personification(s), portrait(s), portrait(s)—male, Race, servant(s) or slave(s), weapon(s), women and gender minorities
Mocking of Christ
Tags: African(s), beards, BIPOC, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) seen from behind, Florence, Florentine artist, history—Biblical subject, history—Biblical subject—New Testament, locations outside Italy, men of color, Padua, Paduan installation/viewing context, Paduan patron, Race, striped fabric, subject location(s) outside Italy, violence, violence—torture, weapon(s)
Stefaneschi Triptych
Tags: animal(s), Asian(s), beards, BIPOC, book(s), cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), Florence, Florentine artist, history—Biblical subject, history—Biblical subject—apocryphal, men of color, meta-images, Mongol(s)/Tatar(s), onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, subject location(s) outside Italy, violence, winged figure(s)