Browse Items (375 total)
Benedict Sends Away the Harlots
Tags: animal(s), beards, bisexual, boat(s) or ship(s), bodies of water, book(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), figure(s) looking directly at the viewer, fruit, gay, Gender, history—medieval religious subject, jewelry, landscape, LGBTQ+ artist, sexual orientation minorities, Siena, women and gender minorities, women of color
Benedict Receives Maurus and Placidus
Tags: African(s), animal(s), beards, BIPOC, bisexual, bodies of water, cisgender male onlooker or peripheral figure(s), cityscape, column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, gay, history—medieval religious subject, intersectionality, LGBTQ+ artist, men of color, plant(s), Race, sexual orientation minorities, Siena, striped fabric, weapon(s)
Benedict Foretells the Destruction of Montecassino
Tags: African(s), animal(s), beards, BIPOC, bisexual, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), gay, history—medieval religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, plant(s), Race, sexual orientation minorities, Siena, striped fabric, tent(s), violence, violence—battle scene(s), weapon(s)
Beheading of Niccolò di Tuldo
Tags: animal(s), beards, BIPOC, bisexual, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), fruit, gay, history—Early Modern religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, putti, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, violence, weapon(s), winged figure(s), women and gender minorities
Battle of Lepanto
Tags: allegorical personification(s), beards, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)
Bacchus and Ariadne
Tags: asexual, bisexual, bodies of water, Bologna, Bolognese artist, breasts, cisgender female central figure(s), cisgender male central figure(s), eunuch(s) or castrato/i, gay, Gender, history—literary subject, intersectionality, landscape, LGBTQ+ artist, nudes, nudes—female, nudes—male, sexual orientation minorities, Sexuality, transgender, women and gender minorities
Bacchus
Tags: bisexual, cisgender male central figure(s), figure(s) looking directly at the viewer, Florence, fruit, gay, history—literary subject, LGBTQ+ artist, LGBTQ+ central figure(s), LGBTQ+ patronage, Milan, portrait(s), portrait(s)—male, Rome, sexual orientation minorities, Sexuality, still life, Venetian patron, Venice
Atalanta and Hippomenes
Tags: asexual, Bologna, Bolognese artist, breasts, cisgender female central figure(s), cisgender male central figure(s), eunuch(s) or castrato/i, fruit, gay, Gender, history—literary subject, intersectionality, landscape, LGBTQ+ artist, nudes, nudes—female, nudes—male, sexual orientation minorities, Sexuality, transgender, women and gender minorities