Browse Items (375 total)

Tags: carpets, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), figure(s) looking directly at the viewer, Gender, jewelry, landscape, plant(s), portrait(s), portrait(s)—female, servant(s) or slave(s), still life, woman artist, women and gender minorities

Tags: animal(s), beards, BIPOC, book(s), central person(s) of color, cisgender female central figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, figure(s) seen from behind, Gender, history—Early Christian religious subject, intersectionality, jewelry, landscape, men of color, onlooker(s) or peripheral person(s) of color, Ottoman Turk(s), plant(s), portrait(s), portrait(s)—female, portrait(s)—male, Roman installation/viewing context, Rome, weapon(s), women and gender minorities

Tags: allegorical personification(s), animal(s), cisgender female onlooker(s) or peripheral figure(s), cityscape, gay, genre subject or scene, history—allegory, LGBTQ+ central figure(s), LGBTQ+ onlooker or peripheral figure(s), personification(s), sexual orientation minorities, Sexuality, Siena, Sienese artist, Sienese installation/viewing context, Sienese patron, violence, winged figure(s), women and gender minorities

Tags: Gender

Tags: cisgender female central figure(s), costume or fashion as a marker of racial or ethnic identity, Gender, jewelry, non-Italian artist working in Italy, Ottoman Turk(s), servant(s) or slave(s), Venetian artist, Venice, women and gender minorities, women of color

Tags: Race

Tags: animal(s), beards, Bologna, Bolognese artist, Bolognese installation/viewing context, Bolognese patron, cisgender female central figure(s), cisgender male central figure(s), female patronage, figure(s) looking directly at the viewer, Gender, jewelry, portrait(s), portrait(s)—female, portrait(s)—male, woman artist, women and gender minorities

Tags: African(s), beards, BIPOC, boat(s) or ship(s), bodies of water, breasts, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, Florence, gay, history—Biblical subject, history—Biblical subject—New Testament, intersectionality, LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, men of color, musical instrument(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, self-portraiture, sexual orientation minorities, subject location(s) outside Italy, violence, violence—torture, weapon(s), women and gender minorities

Tags: African(s), beards, BIPOC, central person(s) of color, cisgender female central figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, history—Early Christian religious subject, intersectionality, jewelry, landscape, men of color, plant(s), Race, Verona, Veronese artist, violence, weapon(s), women and gender minorities

Tags: animal(s), beards, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), costume or fashion as a marker of racial or ethnic identity, Ferrara, Ferrarese artist, figure(s) seen from behind, Gender, history—Biblical subject, history—Biblical subject—Old Testament, intersectionality, jewelry, putti, subject location(s) outside Italy