Browse Items (375 total)

Tags: African(s), beards, BIPOC, boat(s) or ship(s), bodies of water, cisgender male onlooker or peripheral figure(s), cityscape, coat(s) of arms, figure(s) seen from behind, flag(s), Florence, gay, history—ancient secular subject, intersectionality, jewelry, landscape, locations outside Italy, men of color, metonymy, Moor(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, plant(s), Race

Tags: cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), coat(s) of arms, column(s), female patronage, Ferrara, figure(s) seen from behind, Gender, history—literary subject, landscape, Mantua, nudes, nudes—male, putti, Urbino, winged figure(s), women and gender minorities

Tags: animal(s), beards, Bologna, breasts, cisgender female central figure(s), cisgender male central figure(s), Gender, history—literary subject, LGBTQ+ patronage, locations outside Italy, nudes, nudes—female, nudes—male, Rome, sexual orientation minorities, violence, women and gender minorities

Tags: African(s), allegorical personification(s), androgynous onlooker(s) or peripheral figure(s), animal(s), beards, BIPOC, Bologna, cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—Early Modern secular subject, jewelry, men of color, mixed ancestry, musical instrument(s), non-Italian artist working in Italy, onlooker(s) or peripheral person(s) of color, personification(s), portrait(s), portrait(s)—male, Race, weapon(s)

Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, history—Early Modern secular subject, onlooker(s) or peripheral person(s) of color, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Roman patron, Rome, Sub-Saharan African(s)

Tags: cisgender female central figure(s), female patronage, Ferrara, Ferrarese installation/viewing context, Gender, history—literary subject, non-Italian patronage, women and gender minorities

Tags: book(s), cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cityscape, figure(s) looking directly at the viewer, Florence, Florence in art, Florentine artist, Gender, jewelry, landscape, portrait(s), portrait(s)—female, women and gender minorities

Tags: animal(s), beards, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, gay, genre subject or scene, history—Biblical subject, history—Biblical subject—apocryphal, LGBTQ+ central figure(s), LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, nudes, nudes—male, sexual orientation minorities, Sexuality, subject location(s) outside Italy, Urbinate installation/viewing context, Urbino, women and gender minorities

Tags: animal(s), beards, bisexual, cisgender female central figure(s), cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, gay, history—Biblical subject, history—Biblical subject—apocryphal, intersectionality, jewelry, LGBTQ+ artist, LGBTQ+ onlooker or peripheral figure(s), locations outside Italy, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, subject location(s) outside Italy, women and gender minorities

Tags: African(s), beards, BIPOC, central person(s) of color, coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, Ethiopian(s), jewelry, men of color, Race, Urbino