Browse Items (375 total)
Cuttings from a Latin prose treatise on the Seven Vices (Tractatus de septem vitiis)
Tags: African(s), animal(s), Asian(s), BIPOC, boat(s) or ship(s), bodies of water, carpets, central person(s) of color, cisgender female onlooker(s) or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), flag(s), Genoa, Genoese installation/viewing context, genre subject or scene, history—allegory, history—Early Modern secular subject, jewelry, landscape, locations outside Italy, men of color, Mongol(s)/Tatar(s), musical instrument(s), onlooker(s) or peripheral person(s) of color, person of color—indeterminate gender, Race, servant(s) or slave(s), still life, violence, violence—battle scene(s)
Cupid Carving His Bow
Tags: androgynous central figure(s), bisexual, book(s), cisgender male central figure(s), figure(s) looking directly at the viewer, figure(s) seen from behind, history—literary subject, LGBTQ+ artist, nudes, nudes—male, Parma, Parmesan artist, Parmesan patron, putti, sexual orientation minorities, Sexuality, violence, weapon(s), winged figure(s)
Crucifixion
Tags: animal(s), Asian(s), beards, BIPOC, cisgender female onlooker(s) or peripheral figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), history—Biblical subject, history—Biblical subject—New Testament, locations outside Italy, men of color, Mongol(s)/Tatar(s), nudes, nudes—male, onlooker(s) or peripheral person(s) of color, Race, striped fabric, subject location(s) outside Italy, violence, weapon(s), winged figure(s), women and gender minorities
Council of Nicaea
Tags: African(s), ambassador(s) or envoy(s), animal(s), beards, BIPOC, book(s), cityscape, column(s), costume or fashion as a marker of racial or ethnic identity, history—medieval religious subject, homosocial behavior, jewelry, locations outside Italy, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, striped fabric, weapon(s)
Confrontation of the Christian and Turkish Fleets in the Gulf of Lepanto
Tags: allegorical personification(s), animal(s), boat(s) or ship(s), bodies of water, book(s), cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)
Concert of Youths
Tags: bisexual, cisgender male central figure(s), figure(s) seen from behind, fruit, gay, history—allegory, LGBTQ+ artist, LGBTQ+ central figure(s), LGBTQ+ patronage, Milan, musical instrument(s), portrait(s), portrait(s)—male, Rome, self-portraiture, sexual orientation minorities, Sexuality, still life, Venetian patron, Venice, winged figure(s)