Browse Items (375 total)

Tags: Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), Florence, Florentine installation/viewing context, Florentine patron, men of color, Race

Tags: cisgender male central figure(s), Florence, gay, history—literary subject, LGBTQ+ central figure(s), Roman installation/viewing context, Rome, sexual orientation minorities, Sexuality, Venetian patron, Venice, violence

Tags: African(s), ambassador(s) or envoy(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, Egyptian(s)/Mamluk(s), Ethiopian(s), Florence, Florentine artist, history—Early Modern religious subject, men of color, onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, Rome in art, Venetian patron, Venice

Tags: ambassador(s) or envoy(s), Asian(s), BIPOC, central person(s) of color, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, men of color, onlooker(s) or peripheral person(s) of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: African(s), ambassador(s) or envoy(s), BIPOC, central person(s) of color, cisgender male central figure(s), history—Early Modern secular subject, men of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Sub-Saharan African(s), Venice, weapon(s)

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, history—Early Modern secular subject, men of color, Parma, Persian(s), portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: ambassador(s) or envoy(s), Asian(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) looking directly at the viewer, history—Early Modern secular subject, Japanese, men of color, onlooker(s) or peripheral person(s) of color, Parma, portrait(s), portrait(s)—male, Race, Roman installation/viewing context, Rome, Venice

Tags: BIPOC, breasts, central person(s) of color, cisgender female central figure(s), costume or fashion as a marker of racial or ethnic identity, indigenous American(s), intersectionality, jewelry, non-Italian artist working in Italy, North American(s), nudes, Race, Venetian artist, Venice, women and gender minorities, women of color

Tags: African(s), beards, BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, men of color, non-Italian artist working in Italy, nudes, nudes—male, Race, Venetian artist, Venice, weapon(s)

Tags: African(s), BIPOC, central person(s) of color, cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, men of color, non-Italian artist working in Italy, nudes, nudes—male, Race, Sub-Saharan African(s), Venetian artist, Venice, weapon(s)