Browse Items (375 total)

Tags: beards, boat(s) or ship(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—Early Modern secular subject, Ottoman Turk(s), Race, striped fabric, violence, violence—battle scene(s), weapon(s)

Tags: allegorical personification(s), animal(s), boat(s) or ship(s), bodies of water, book(s), cisgender male onlooker or peripheral figure(s), flag(s), history—Early Modern secular subject, Milan, Milanese patron, Ottoman Turk(s), personification(s), putti, Race, Roman installation/viewing context, Rome, violence, violence—battle scene(s), weapon(s), winged figure(s)

Tags: allegorical personification(s), animal(s), bodies of water, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, column(s), figure(s) seen from behind, Florence, Florence in art, Florentine installation/viewing context, Florentine patron, fruit, history—Early Modern secular subject, musical instrument(s), Ottoman Turk(s), personification(s), plant(s), Race, violence, weapon(s), winged figure(s)

Tags: African(s), allegorical personification(s), androgynous onlooker(s) or peripheral figure(s), animal(s), beards, BIPOC, Bologna, cisgender male onlooker or peripheral figure(s), column(s), figure(s) looking directly at the viewer, figure(s) seen from behind, flag(s), Florence, Florentine installation/viewing context, Florentine patron, history—Early Modern secular subject, jewelry, men of color, mixed ancestry, musical instrument(s), non-Italian artist working in Italy, onlooker(s) or peripheral person(s) of color, personification(s), portrait(s), portrait(s)—male, Race, weapon(s)

Tags: animal(s), Asian(s), beards, BIPOC, book(s), cisgender male central figure(s), costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), Florence, Florentine artist, history—Biblical subject, history—Biblical subject—apocryphal, men of color, meta-images, Mongol(s)/Tatar(s), onlooker(s) or peripheral person(s) of color, Race, Roman installation/viewing context, Rome, subject location(s) outside Italy, violence, winged figure(s)

Tags: African(s), beards, BIPOC, cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), column(s), figure(s) seen from behind, Florence, Florentine artist, history—Biblical subject, history—Biblical subject—New Testament, locations outside Italy, men of color, Padua, Paduan installation/viewing context, Paduan patron, Race, striped fabric, subject location(s) outside Italy, violence, violence—torture, weapon(s)

Tags: cisgender female central figure(s), cisgender male central figure(s), column(s), Florence, Florentine artist, Gender, history—Biblical subject, history—Biblical subject—New Testament, portrait(s), portrait(s)—male, subject location(s) outside Italy, women and gender minorities

Tags: African(s), BIPOC, central person(s) of color, cisgender female central figure(s), costume or fashion as a marker of racial or ethnic identity, intersectionality, Milan, mixed ancestry, Race, women and gender minorities, women of color

Tags: animal(s), beards, BIPOC, bisexual, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), cisgender male onlooker or peripheral figure(s), cityscape, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, flag(s), fruit, gay, history—Early Modern religious subject, intersectionality, landscape, LGBTQ+ artist, men of color, nudes, nudes—male, onlooker(s) or peripheral person(s) of color, putti, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, violence, weapon(s), winged figure(s), women and gender minorities

Tags: beards, bisexual, bodies of water, cisgender female onlooker(s) or peripheral figure(s), cisgender male central figure(s), coat(s) of arms, costume or fashion as a marker of racial or ethnic identity, figure(s) seen from behind, gay, history—Biblical subject, history—Biblical subject—New Testament, landscape, LGBTQ+ artist, locations outside Italy, nudes, nudes—male, sexual orientation minorities, Sexuality, Siena, Sienese installation/viewing context, subject location(s) outside Italy, violence, weapon(s), women and gender minorities